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The road between star and character will get completely blurred in “William Shatner: You Can Name Me Invoice,” a profile documentary that treats Shatner, the only interviewee, as if he have been as polished as Capt. James T. Kirk — versus merely being the sturdy, hard-working actor who performed him on “Star Trek” and a terrific raconteur.
The director, Alexandre O. Philippe, churns out movie-themed documentaries that veer between insightful (“78/52: Hitchcock’s Bathe Scene”) and obsequious (“Reminiscence: The Origins of Alien”). The fawning “You Can Name Me Invoice” makes you want Shatner. Nonetheless, listening to the actor’s wit, knowledge and drippy insights for 96 minutes is sufficient to tempt any viewer to channel his or her interior Spock. (“Most illogical!”)
“You Can Name Me Invoice” is tedious when Shatner shares his ideas on animals and spirituality (“You attain a reference to a horse that may be one thing mystical”) however sharp when he displays on appearing. It’s fascinating to listen to that he felt influenced each by the traditionalism of Laurence Olivier and the Stella Adler coaching of Marlon Brando; he means that cut up was associated to his being Canadian, torn between British and American cultures. He probes deeply into his craft when talking of choosing differentiated traits that an viewers may determine in scenes that featured a number of Kirks and of wanting one other take of his demise scene close-up in “Star Trek: Generations” (1994).
It’s arduous to not smile throughout footage of Shatner, then 90, turning into the oldest particular person ever to journey to house. However “You Can Name Me Invoice” is essentially a case of an actor presenting himself as he desires to be seen.
You Can Name Me BillRated PG-13 for some language that will principally cross on Nineteen Sixties tv. Operating time: 1 hour 36 minutes. In theaters.
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