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“My title is Greta Gerwig, and I’m the co-writer and director of ‘Barbie.’” “(SINGING) I’m simply Ken. Anyplace else, I’d be a ten.” “The factor that I can say most about this sequence is that this was the factor that I most knew what I needed it to be, and nobody else knew what I needed it to be. Each time I take a look at this, it’s simply the ridiculousness of how we did it, which is that they’re clearly arriving on these pedalos on a seaside that has no water. It’s a strong mass with these waves which might be sculptures. And I had everybody on this scene fake to be shifting in gradual movement apart from Ryan, who’s singing. And I feel I obtained 4 takes into it, and I assumed, this simply — is that this so ridiculous that I’m doing fake gradual movement? However then I assumed, I feel I simply should commit. Now I’ve completed it. There’s nothing else I can do. My stunt coordinator, Roy Taylor, who’s a superb, sensible particular person, and he labored with my choreographer, Jenny White, as a result of I needed all of the preventing to be someplace between dancing and a type of vaudevillian ridiculousness of a Buster Keaton or a Charlie Chaplin. I really like that type of bodily comedy. So that you see males tangoing within the background along with preventing. As a result of they’re Kens, they’re kids. All of it kind of goes collectively.” “Ah!” “Ah! Ah!” “Then we’ve got our Barbies, who’re kind of watching with their pink boilersuits, which I feel Jacqueline Durran, who’s the costume designer, she did the pink boilersuits as a result of I wore boilersuits daily. And she or he was like, I’ve determined what the Barbies will put on once they’re taking again Barbieland. And I cried once I noticed it as a result of I used to be like, oh, it’s a tribute to me. A lot of this sequence is the tune that Mark Ronson and Andrew Wyatt wrote, which was not within the script. However I did ask them as a result of they have been writing the tune that grew to become Dua Lipa’s ‘Dance the Evening.’ I stated we’d like a Ken tune, and I feel it goes within the battle. After which they wrote this tune from the attitude of Ken. After which I stated, Ryan, are you up for singing this? And he stated sure, finally. However initially, I don’t know. I feel he was like, you by no means stated something about this originally. However I feel they despatched me 30 seconds of an thought for the tune, that I simply beloved. After which I used to be like, Are you able to make it 11 minutes lengthy? As a result of I would like it to undergo this entire sequence. After which this half, this dream ballet half, Sarah Greenwood, who’s a manufacturing designer, and Katie Spencer constructed this stage to echo the dream ballet stage from ‘Singin’ within the Rain’ as a result of I really like that film. And that has top-of-the-line dream ballets of all time as a result of they’ve a dream ballet that’s within one other dream ballet, which, I feel, when individuals are like, will anybody perceive this? I used to be like, sure. There’s a context for this. They’ll grasp it. And each Ken, each Barbie, is a dancer the entire time. After which I selected all of the actors, too, as a result of they have been good dancers. Jenny White, who was my choreographer, she and I checked out a number of totally different musicals, totally different dream ballets. However Busby Berkeley was an enormous reference.” “(SINGING) I’m simply Ken. Anyplace else, I’d be a ten.” “I type of love that ‘we’re placing on a present’ component of this film, which could be very linked to theater and in addition the pleasure of constructing one thing in a childlike method. And we began with dance rehearsals, and I feel it was a great way to place all people in that mindset of it’s not about perfection. It’s about this pleasure. They usually clearly embodied that. In a method, you need the viewers to stroll out and say, I’d prefer to go make one thing. I need to go play. I need to go set one thing up. I need to do a efficiency. And that’s how I felt once I watched a number of films once I was a child, or theater. I immediately was like, I’m going to prepare my very own model of ‘Starlight Categorical’ proper now.” “(SINGING) No person else No person else I’m simply Ken.”
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