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“It was very nice to have the ability to flip off my acutely aware mind of ‘How do I really feel?’ and simply write from a personality who I do know precisely how she feels, as a result of I watched the film,” Eilish mentioned. “I by no means would have been capable of write any of that track if I had tried to be weak about my very own life and expertise, so it was actually an ideal vessel.” The track turned one of many film’s sonic by way of strains, and elements of the instrumentation have been woven into a number of scenes.
Film soundtracks often entice main Grammy consideration: Just lately, Kendrick Lamar acquired eight nominations, together with finest album, for his function as government producer of the LP accompanying “Black Panther.” (The movie took dwelling two Grammys in 2019.) Beyoncé acquired six nominations for her work on “Black Is King” in 2021. (She received two for the movie, which helped give her the file for many Grammy wins by a feminine artist.)
In 2002, the LP accompanying “O Brother, The place Artwork Thou?” received album of the 12 months, a feat beforehand achieved by “The Bodyguard: Authentic Soundtrack Album” in 1994, “Saturday Night time Fever” in 1979 and “The Music From Peter Gunn” in 1959. “The Graduate” and “The Bodyguard” produced file of the 12 months winners in “Mrs. Robinson” and “I Will All the time Love You.”
But the “Barbie” soundtrack is exclusive in that includes so many artists who appeared to intuitively grasp the film’s candy-colored aesthetic and vary of honest moods, starting from the forlorn to the celebratory. The film was final 12 months’s greatest popular culture phenomenon not named Taylor Swift, and the music displays its broad, cross-genre enchantment, together with songs from rappers (Ice Spice), a psych-rock band (Tame Impala), a Latin music famous person (Karol G) and a poppy indie trio (Haim).
Eilish’s “What Was I Made For?” reached No. 14 on Billboard’s Sizzling 100, received a Golden Globe final month, and now has the prospect to be the uncommon monitor that takes dwelling each track of the 12 months on the Grammys and finest unique track on the Oscars — a benchmark reached by crossover hits like Barbra Streisand’s “The Manner We Have been” and Celine Dion’s “My Coronary heart Will Go On.”
“The film did deliver folks collectively, from totally different walks of life and cross-sections of society — which is like, ‘When’s the final time all of us did that?’” Wyatt mentioned. “That’s a pleasant, celebratory factor to be part of, and it’s good to see that mirrored in no matter’s happening within the awards class.”
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